Selasa, 28 Mei 2013

[Y743.Ebook] Get Free Ebook Mestizaje: Critical Uses of Race in Chicano Culture (Critical American Studies), by Rafael Perez-Torres

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Mestizaje: Critical Uses of Race in Chicano Culture (Critical American Studies), by Rafael Perez-Torres

Focusing on the often unrecognized role race plays in expressions of Chicano culture, Mestizaje is a provocative exploration of the volatility and mutability of racial identities. In this important moment in Chicano studies, Rafael Pérez-Torres reveals how the concepts and realities of race, historical memory, the body, and community have both constrained and opened possibilities for forging new and potentially liberating multiracial identities. 

Informed by a broad-ranging theoretical investigation of identity politics and race and incorporating feminist and queer critiques, Pérez-Torres skillfully analyzes Chicano cultural production. Contextualizing the history of mestizaje, he shows how the concept of mixed race has been used to engage issues of hybridity and voice and examines the dynamics that make mestizo and mestiza identities resistant to, as well as affirmative of, dominant forms of power. He also addresses the role that mestizaje has played in expressive culture, including the hip-hop music of Cypress Hill and the vibrancy of Chicano poster art. Turning to issues of mestizaje in literary creation, Pérez-Torres offers critical readings of the works of Emma Pérez, Gil Cuadros, and Sandra Cisneros, among others. This book concludes with a consideration of the role that the mestizo body plays as a site of elusive or displaced knowledge. 

Moving beyond the oppositions—nationalism versus assimilation, men versus women, Texans versus Californians—that have characterized much of Chicano studies, Mestizaje synthesizes and assesses twenty-five years of pathbreaking thinking to make a case for the core components, sensibilities, and concerns of the discipline. 

Rafael Pérez-Torres is professor of English at the University of California, Los Angeles. He is author of Movements in Chicano Poetry: Against Myths, Against Margins, coauthor of To Alcatraz, Death Row, and Back: Memories of an East LA Outlaw, and coeditor of The Chicano Studies Reader: An Anthology of Aztlán, 1970–2000.

  • Sales Rank: #509486 in Books
  • Brand: Brand: Univ Of Minnesota Press
  • Published on: 2006-04-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .70" w x 5.88" l, .91 pounds
  • Binding: Paperback
  • 312 pages
Features
  • Used Book in Good Condition

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6 of 6 people found the following review helpful.
Examines a quarter-century's worth of thinking to consider Chicano public art and its social and political representation
By Midwest Book Review
MESTIZAJE: CRITICAL USES OF RACE IN CHICANO CULTURE will reach college-level audiences with a detailed survey of Chicano culture and the role race plays in modern expectations of such. Concepts of race, historical memory, and community have contributed to potentials for new multiracial identities, yet most Chicano studies focus on differences and conflicts. MESTIZAJE examines a quarter-century's worth of thinking to consider Chicano public art and its social and political representation.

Diane C. Donovan

California Bookwatch

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Kamis, 23 Mei 2013

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  • Original language: French
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Kamis, 16 Mei 2013

[F270.Ebook] Fee Download Design for Motion: Fundamentals and Techniques of Motion Design, by Austin Shaw

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Design for Motion: Fundamentals and Techniques of Motion Design, by Austin Shaw

Plumb the depths of core motion design fundamentals and harness the essential techniques of this diverse and innovative medium. Combine basic art and design principles with creative storytelling to create compelling style frames, design boards, and motion design projects.

Here, in one volume, Austin Shaw covers all the principles any serious motion designer needs to know in order to make their artistic visions a reality and confidently produce compositions for clients, including:

  • Illustration techniques
  • Typography
  • Compositing
  • Cinematography
  • Incorporating 3D elements
  • Matte painting
  • Concept development, and much more

Lessons are augmented by illustrious full color imagery and practical exercises, allowing you to put the techniques covered into immediate practical context. Industry leaders and pioneers, including Karin Fong, Bradley G Munkowitz (GMUNK), Will Hyde, Erin Sarofsky, Danny Yount, and many more, contribute their professional perspectives, share personal stories, and provide visual examples of their work.

Additionally, a robust companion website (www.focalpress.com/cw/shaw) features project files, video tutorials, bonus PDFs, and rolling updates to keep you informed on the latest developments in the field.

  • Sales Rank: #48713 in Books
  • Published on: 2015-12-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .80" w x 10.90" l, .0 pounds
  • Binding: Paperback
  • 356 pages

Review

"Austin is one of the first to identify and put down on paper a tangible, in-depth account of a new field that has quickly emerged within the design genre. For years, even professionals in the industry have had trouble giving it a title. Not only does Austin give it a name, but he also captures the essence of the field in a way that both young designers and professionals can appreciate. With words and pictures, he shares the process and explains in detail the knowledge base required for the field. He even questions industry leaders to qualify his process, making it a perfect balance of the academic and professional worlds."

- Erin Sarofsky, Executive Creative Director, Sarofsky

About the Author

Austin Shaw is a full-time Professor of motion media design at the Savannah College of Art and Design. He has also taught at the School of Visual Arts in New York City. For the past 12 years, Austin has worked as a motion designer for clients including Target, Ferrari, Fedex, McGraw Hill, Ralph Lauren, and VH1, and as a Creative Director, Designer, and Animator for companies such as Superfad, Digital Kitchen, Brand New School, and Curious Pictures.

Most helpful customer reviews

64 of 84 people found the following review helpful.
BUYER BEWARE
By Rob
EDIT: It seems a bit dubious that seven 5-star reviews have miraculously popped up here in the last 12 hrs, all with glowing reviews for the book, and all being 100% marked as "helpful", despite giving no insight or critical look at the book in question. While this review, the only one that explores the content of the book, has been suddenly marked "unhelpful" 12 times in the last day...

Look, I'm terribly sorry to be giving this book such a low review, I really am, but it is an absolute train wreck.

Sentences and even entire paragraphs are re-hashed, and repeated throughout the book over and over; scattered in seemingly random locations. Paragraphs start on one topic, and abruptly change to another. Made-up industry terminology is presented. Concepts are touted to be important without having ever defined them. Inaccurate information is given.

At no point did I ever feel as if I was learning a fundamental, let alone a practical technique. The author never actually “teaches” you anything, he simply brings up topics like “tension”, “composition”, “color”, “design”, etc. and then tells you they are important, literally throughout the entire volume.

Below are some excerpts

----------------

At one point we are told: “The purpose of this book is to teach you about these outcomes and how to make them. They are called STYLE FRAMES and DESIGN BOARDS.” Wait, so this book is about style frames and design boards? Why wasn’t it titled “Style Frames & Design Boards”?!

----------------

From the Introduction:
“The first twenty-five seconds of a thirty second commercial takes the viewer on a journey that inspires emotions and ideas. The final five seconds invariably ends with a logo animation that leaves the viewer with no uncertainty about who has delivered the message.”

From Chapter 9 - Image Making
“Many commercial pieces work in this way, starting in a place of mystery that then takes the viewer on a journey. The commercial almost always concludes in a place of design certainty with a logo resolve.”

----------------

From the introduction
“Motion Design creates varying compositions over time”

Beginning of Chapter 1 - Design for Motion
“Motion design is a container for visual compositions that change over time.”

From Chapter 9 - Image Making
“Motion design is composition changing over time.”

----------------

The section “A Brief History of Style Frames” in chapter 1 is two paragraphs of one person’s recollection on using photos as style frames, and then 4 paragraphs on technology's (computers, scanners) impact on production.

WHAT?! How is this a history of Style frames?

----------------

At one point we are presented with an upside down triangle infographic (included in pics). One side represents when you receive a creative brief, the other, when you finish the project. Somewhere near the middle is a “tipping point” where the project moves from infinite possibilities to certainty.

However, the point of a creative brief is to provide certitude to a project, so how can the tipping point come in the middle?

“The graphic visualizes an idea of how to approach creative projects. It was developed to help keep the creative process enjoyable, while still delivering the best possible outcome. the Process-To-Outcome Spectrum can help you generate ideas, structure and manage time, and feel less stress over the course of a project.”

HOW CAN IT DO ANY OF THOSE?!?!?! It is literally just an upside down triangle with a few sentences next to it!

----------------

Another section of the book elaborates on the use of the word “outcome”:
“Within the context of this framework, outcome is defined as the tangible result of a project.”

So by “outcome” you mean “outcome?” Thanks for the clarification.

----------------

“Compositions can change with subtle grace or with shocking abruptness. This description is the essence of how motion transitions over time. As motion slows down, it begins to become more graphic or static. The tipping point between motion and graphic is the exact point where change can be perceived through a viewport. This combination of motion graphic media mirrors the overlap of studio business models that work in the motion design industry.”

WHAT?

----------------

“This book is for students and aspiring professionals who want to work in design driven production. Motion design offers tremendous opportunities to those interested in creative careers. Until the early 2000s, screens to display motion design primarily consisted of SD [Standard Definition] Televisions, movie theater screens, and computer monitors. Then HD [High Definition] resolution became prevalent, and motion designers could create content for SD and HD aspect ratios.”

Non-sequitur much? Wow!

----------------

The book is peppered throughout with interviews of highly talented individuals in the industry, entitled “Professional Perspectives”, or as I like to think of them “Missed Opportunities”.

These sections could have been of tremendous benefit had insightful questions been asked, but instead we are given ““What do you think you would do if you weren't’ a designer?” and “What was your favorite project?”.

Of what use is this? Wouldn’t it be more beneficial to the topic of design to inquire about how they, I don't know, go about selecting a color palette? What resources they found important over their careers? Or if we ask them about a favorite project, what about following it up with questions about the production of that project? SOMETHING of practical value.

----------------

Chapter 11, "Concept Development Exercises” is simply a rehash of concepts already presented earlier (free writing, word list etc.)

----------------

Chapter 12, "Design Essentials" You can create or find assets. Have a sketchbook. Buy a computer. Backup your data. That is seriously the content.

----------------

Chapter 13, "The Art of Compositing" sees the creation of the terms "Concrete compositing", and "Abstract compositing". Why make up terminology for this?

----------------

Chapter 14, “3D Software for Design” feels as if it was written with very little actual 3D experience:

“A common default projection in 3D software is UVW mapping. This option attempts to wrap your material around your geometry like a piece of clothing on a mannequin.”

This is just plain incorrect. UVW mapping means it’s using the UVW coordinates of the object, which it may have already if it is a default object, or you will need to create if it is a model you have made.

----------------

Chapter 15, "Matte Painting"
Wait, what? Matte painting now?! The whole chapter is a non-sequitur for a book on motion!

----------------

At this point, I decided to skim the rest of the book to see if it continued to be as meandering and pointless, and I'm sorry to report that it is. What a disappointment. I was beyond exited that we finally had a book on the topic of design SPECIFIC to motion artists, but alas, we still do not. Do not waste your money on this.

6 of 9 people found the following review helpful.
Must-have for motion graphic artists
By Jo Lord
This was one of my professors at SCAD who I found to be very smart and influenced me a lot. This book is the result of a class (by the same title) he taught us, gathering our feedback as he wrote this book. I have referred back to this book on several occasions for ideas and even some technical advice. His interviews with professionals in the industry really help provide the reader exceptional material. Shaw did a great job organizing a lot of (sometimes overwhelming) information and portraying it in a colorful and creative way.

5 of 8 people found the following review helpful.
Essential reading for working in Motion Design!
By Jeff Boddy
As a 16 year veteran of the Motion Design field, I can't say enough good things about this book, but let me try:

While Motion Design is a relatively new pursuit in comparison to other aspects of media production, it's not without it's standards. Our field is a unique blend of creative practices, which Shaw describes in detail. So the terminology and approach found at work in ad agencies and post-production studios vary quite a bit – it's similar, but different! And that's a good thing, because the creative process for producing Motion Design related content wouldn't work any other way.

What this book does so brilliantly is establish the terms we all use on a daily basis in an approachable and welcoming way for newcomers in the field. It's also a fantastic refresher if you've been working in the field; be it as a freelancer or staffer, and at studios large or small.

It's also worth noting that I first became aware of Shaw when working with his students at several studios over the last few years. As interns, they had a tremendous understanding of the Motion Design production process and were able to contribute to commercial work almost immediately. It was only after inquiring about their surprisingly thorough knowledge of our industry did I trace back the common connection: Austin Shaw! So I can't think of a better author to organize, outline and document the field as a whole.

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Kamis, 09 Mei 2013

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Know Thyself, by Na'im Akbar

How wonderful it is to taught by a free teacher, a spiritual teacher, a member of our family who truly loves the family, an architect of tranforming processes, a defender of African people, a beacon, a Son of Africa, a divine spirit manisfesting our creative genius. Thousands of thousands of people know Dr. Na'im Akbar as a special treasure. This book is another important gift from him to us. It is our responsibility to study these thoughts, carfully. To follow these teachings is to guarantee our liberation and to guide us toward our destiny. From forward by Asa G. Hilliard, III, Calloway Professor of Education at Georgia State University, Atlanta.

  • Sales Rank: #139960 in Books
  • Brand: Brand: Mind Productions n Associates
  • Published on: 1998-12-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 6.00" w x .25" l, .40 pounds
  • Binding: Paperback
  • 83 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

0 of 0 people found the following review helpful.
Four Stars
By Amazon Customer
i rated it good but that book i did not receive either

0 of 0 people found the following review helpful.
I recommend.
By Corrine
Just ok.

0 of 0 people found the following review helpful.
Five Stars
By Dr. James
Great text info.

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Minggu, 05 Mei 2013

[P223.Ebook] Ebook Producing Video Podcasts: A Guide for Media Professionals, by Richard Harrington, Mark Weiser

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Producing Video Podcasts: A Guide for Media Professionals, by Richard Harrington, Mark Weiser

Put the video podcast medium to work for you and your clients with a winning formula. Know how video podcasts work and every facet of what it takes to produce a professional-quality program that will meet every criterion for success. The authors are seasoned video production pros that have been on the crest of the video podcasting wave as it has risen. With over 2500 episodes produced, they can reveal what works and what doesn't with detailed, illustrated guidance. You get the nuts and bolts of the complete process, including:

* Preproduction: budgeting guidelines, mapping your production, and working with talent
* Production: the ENG shooting style, lighting values and portability, sound, essential camera features, acquisition formats, and gear lists
* Postproduction: resources for adding music and images, motion graphics, and editing techniques
* Delivery: cost-effective hosting options, creating RSS feeds, compression, and hosting processes
* Promotion: choosing directories, promoting your program, and monetizing your podcast

Instruction and case studies go in-depth on issues unique to the podcast medium. A full-color presentation delivers tangible, inspiring examples of creative video podcasts. The companion website-www.VidPodcaster.com-provides a blog, templates, planning documents, sample clips, and state-of-the-art updates.

  • Sales Rank: #1295882 in Books
  • Published on: 2008-03-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x 7.00" w x .75" l, 1.39 pounds
  • Binding: Paperback
  • 256 pages

Review
This guide is full of solid information from people who know online video and are in the trenches doing it. It's a must read for anyone who wants to produce professional video podcasts. - Jason Van Orden, podcasting consultant and author of Promoting Your Podcast


.required reading..Starting with a clear analysis of the nature and business of podcasting it covers the essentials of production and finishes with the all-important topics of delivery, RSS feeds, publishing, and hosting. - Tom Wolsky, vp editorial, National Podcasting System, www.nationalpod.com


WOW, the accumulated knowledge from 1000's of hours of planning, production, post and delivery essentials delivered in a simple, concise fashion.a professional resource manual that needs to be a part of every video production library.- Gary Adcock, digital artist and technology trainer


.not just a book about Podcasting, but a full primer on professional audio and video production and digital publishing that is lavishly illustrated and full of practical tips. - Philip Hodgetts, president and ceo, Open Television Network openTVnetwork.com

From the Back Cover
This guide is full of solid information from people who know online video and are in the trenches doing it. It's a must read for anyone who wants to produce professional video podcasts.
- Jason Van Orden, podcasting consultant and author of Promoting Your Podcast


...required reading...Starting with a clear analysis of the nature and business of podcasting it covers the essentials of production and finishes with the all-important topics of delivery, RSS feeds, publishing, and hosting.
- Tom Wolsky, vp editorial, National Podcasting System, www.nationalpod.com


WOW, the accumulated knowledge from thousands of hours of planning, production, post and delivery essentials delivered in a simple, concise fashion.a professional resource manual that needs to be a part of every video production library.
- Gary Adcock, digital artist and technology trainer


...not just a book about Podcasting, but a full primer on professional audio and video production and digital publishing that is lavishly illustrated and full of practical tips.
- Philip Hodgetts, president and ceo, Open Television Network, openTVnetwork.com

Put the video podcast medium to work for you and your clients with a winning formula. Know how video podcasts work and every facet of what it takes to produce a professional-quality program that will meet every criterion for success. The authors are seasoned video production pros that have been on the crest of the video podcasting wave as it has risen. With over 2500 episodes produced, they can reveal what works and what doesn't with detailed, illustrated guidance. You get the nuts and bolts of the complete process, including:
* Preproduction: budgeting guidelines, mapping your production, and working with talent
* Production: the ENG shooting style, lighting values and portability, sound, essential camera features, acquisition formats, and gear lists
* Postproduction: resources for adding music and images, motion graphics, and editing techniques
* Delivery: cost-effective hosting options, creating RSS feeds, compression, and hosting processes
* Promotion: choosing directories, promoting your program, and monetizing your podcast

Instruction and case studies go in-depth on issues unique to the podcast medium. A full-color presentation delivers tangible, inspiring examples of creative video podcasts. The companion website-www.VidPodcaster.com-provides a blog, templates, planning documents, sample clips, and state-of-the-art updates.

Richard Harrington is a certified instructor for Adobe, Apple, and Avid, and a member of the National Association of Photoshop Professionals Instructor Dream Team. He is a popular trainer, podcaster, and prolific author, with 11 books and articles in DV, Photoshop User, and Layers magazine to his credit.

Mark Weiser is vice president of operations for RHED Pixel. Named to AV Multimedia Producer's list of top producers, Mark has been a featured speaker at DV Expo and the NAB conferences.

RHED Pixel (www.RHEDPixel.com) is a visual communications consultancy that is co-owned by the principal authors. Video and multimedia projects produced include over 2,500 video podcasts for clients that include Microsoft, Apple, and Google.

About the Author
A digital video expert and a trained business professional, Rich understands both the creative and management sides of the visual communications industry. He's held such diverse jobs as directing newscasts and publishing music magazines, to managing a production department and consulting non-profit agencies. Rich graduated from Drake University School of Journalism with dual degrees in Broadcast News and Radio-Television Production. He also holds a master's degree in Project Management from Keller Graduate School of Management.
Mark merges creative talents with bottom-line realism. With extensive experience as both a videographer and producer, Mark knows how to maximize budgets, locations, and production opportunities. Mark holds a B.A. from the College of William and Mary and a Masters in Communications with a concentration in Film and Video from the American University.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Very easy to read and very informative
By Mark Carrara
I normally don't write reviews, but after meeting the author at a recent conference, I felt I had to spread the word. This is one of the best books on technology I have read in a while, and I read a lot of tech books for my job. If you know technology but need the video part it works, if you know video and need the technology part, it works, if you need both it works. The book just works. I have been following Richard's podcasts for a couple years, but have never read any of his books, my loss. If you are interested in video podcasting, this is the book for you. My only warning would be make sure you are interested in podcasting and not streaming. There is a huge difference and this book shows you the difference, then teaches you podcasting.

1 of 1 people found the following review helpful.
A Complete Handbook on Video Podcasting
By Yvonne Perry
A writer friend asked me to take a look at Producing Video Podcasts A Guide for Media Professionals by Richard Harrington and Mark Weiser. As an audio podcaster for two years, he knew I would have an interest in seeing what could be done with video to produce a show. Understanding my desire for quality in any avenue, he knew I would want to do it the very best and most professional way. This book is THE tool for such a purpose.

The authors give good definitions of industry terms that might not be familiar to a novice podcaster. The book covers a wide variety of features and gives step-by-step instruction on using the latest and ever-evolving technology and equipment, but it also discusses the business side of podcasting such as budget, hosting, publishing, and monetizing the show.

You'll be able to understand your audience and how to approach them after reading Producing Video Podcasts. The book is careful to keep beginning podcasters out of trouble with the copyright police by making sure the reader understands what music is safe for use on podcasts and where to obtain such material.

No book on videography would be complete without some information on RSS feed, YouTube, setting up cameras and microphones for filming, how to edit, and understanding HDV (high-definition video) standard sizes and frame rates. This book covers all that and much more. Filled with graphics, samples, tips, and photos, this is the complete handbook on preproduction, production, postproduction, delivery, and promotion of a professional video podcast.

2 of 3 people found the following review helpful.
Awesome Resource
By lp
If you are interested in Video Podcasting as a Professional, then this is the resource for you. The book is a treasure trove of knowledge with a great support web site as well providing you additional information, forms and tips that any video podcaster will find useful. If you have never done a video podcast from beginning to end, you will be shocked at the details and the steps required to do this properly. Richard and Mark have put a lot of detail in their book and what has been great for me is that when I ran in to a problem on the book's website, Richard responded to me very quickly and helped me with my problem. I would completely recommend this book to anyone currently doing video podcasts or simply interested in the process. If you are looking to do video podcasts professionally, then this is a must have book.

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Jumat, 03 Mei 2013

[O706.Ebook] Download Russia in World History (New Oxford World History), by Barbara Alpern Engel, Janet Martin

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Russia in World History (New Oxford World History), by Barbara Alpern Engel, Janet Martin

Russia in World History (New Oxford World History), by Barbara Alpern Engel, Janet Martin



Russia in World History (New Oxford World History), by Barbara Alpern Engel, Janet Martin

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Russia in World History (New Oxford World History), by Barbara Alpern Engel, Janet Martin

Over the course of twelve centuries, Russia's peoples overcame the constant challenges posed by geography, climate, availability of natural resources, and devastating foreign invasions to become the world's second largest land empire and the largest in modern history. This energetic introduction to Russia's history follows the development of local tribes into a federation of principalities centered at Kiev, the shift of power to Moscow and the centralization of the state, and Russia's pursuit of imperial ambitions. It examines the circumstances that led to the foundation of the world's first communist society in 1917, and traces the global consequences of Russia's extensive confrontation with the United States. Russia's arduous and costly climb to great power gains a personal dimension through the stories of individual women and men-pivotal figures as well as common people-illuminating the human consequences of sweeping historical change. Peoples of many ethnicities became part of the Russian empire and suffered or benefitted from its leaders' efforts to meld a multiethnic polity into a coherent political entity. This book examines how Russia served as a conduit for people, ideas, and commodities - owing between east and west, north and south and how it came to play an increasingly important role on a global scale.

  • Sales Rank: #1185447 in Books
  • Published on: 2015-06-01
  • Released on: 2015-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.10" h x .60" w x 9.20" l, .0 pounds
  • Binding: Paperback
  • 176 pages

Review
Recommended. W. G. Moss, CHOICE

About the Author

Barbara Alpern Engel is Distinguished Professor of History at the University of Colorado, Boulder. She is the author of Mothers and Daughters: Women of the Intelligentsia in Nineteenth Century Russia; Between the Fields and the City: Women, Work and Family in Russia; Women in Russia: 1700-2000; and Breaking the Ties that Bound: The Politics of Marital Strife in Late Imperial Russia.

Janet Martin is Professor Emerita of History at the University of Miami. She is the author of Treasure of the Land of Darkness: the Fur Trade and its Significance for Medieval Russia and Medieval Russia, 980-1584.

Most helpful customer reviews

6 of 6 people found the following review helpful.
No time for tomes? Read this and you'll better understand Russia. This short book has an amazing amount of information.
By lyndonbrecht
This is another volume in a new series from Oxford UP, short reads (this one is 126 pages) that are well written. I think it's a bit less Russia in world history than simply a fine history of Russia. This is really an achievement, a readable history in so short a book on such a large complex place. The histories of Russia I've read in the past tend to be many hundreds of pages. This book would be a good place to start for someone with an interest in Russia but no time for tomes.

The several maps are reasonably good, and the few photos and other illustrations are useful for mood. I think the best chapters are Chapter 1, on the formation of Russia; Chapter 2 on the rise of Muscovy and the Mongol yoke; Chapter 4 on the Petrine revolution (that is, Peter the Great); Chapter 6 on reform and revolt (covers 1855-1905); and Chapter 7 which covers the 1905-45 period, particularly the ruthlessness of the communist regime. The last chapter is too brief, but a good summary of how the Soviet Union collapsed and Russia remains

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