Senin, 15 Juli 2013

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Franco a Biography, by Paul Preston

  • Sales Rank: #1926003 in Books
  • Published on: 1996-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 6.25" w x 2.00" l,
  • Binding: Paperback
  • 1024 pages

From the Publisher
The critically acclaimed, definitive biography of the complex, elusive man credited with saving Spain from both the communists and Hitler as well as orchestrating the Spanish economic miracle of the 1960s.

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22 of 25 people found the following review helpful.
Flawed by relentless anti-Franco bias
By P. Warren
Francisco Franco was no hero of democracy and human rights. He was a classic reactionary whose Nationalist coalition won the Spanish Civil War with key backing from Hitler and Mussolini. Then for the remaining 36 years of his life he ran a repressive "estado totalitario" (Franco's own words). No objective story of this man's life will arouse great sympathy. However, author Paul Preston was not content to let the sad facts speak for themselves. Preston chose to lard his account with constant, gratuitous anti-Franco bias. Every move by Franco is portrayed as inspired by malicious egomania. Every controversial aspect of the Civil War is given a purely anti-Franco spin. In truth, the war was marked by widespread cruelty and lawlessness, with Terror seen as a legitimate weapon, by both Franco's Nationalists and their Republican opponents.
Typical of the overall problem is Preston's account of siege of Toledo. At this historic old town, where the young Franco had attended military school, Republican forces soon had the Nationalist garrison, commanded by Colonel Jose Moscardo, besieged in the ancient Alcazar fortress. The Republicans also captured Moscardo's 16-year-old son. A leader of the Republican force called Moscardo on the telephone and told him that unless he surrendered the Alcazar, his son would be shot. Moscardo reportedly asked to speak to his son and told him, "Commend your soul to God and die like a patriot, shouting 'Long live Christ King' and 'Long live Spain.'" "That," reportedly answered his son, "I can do." By some accounts the son was shot immediately, but it seems in truth he was murdered (in reprisal for an air raid) a month into the siege. After 70 days, Franco's army relieved the Alcazar on 27 September 1936.
Preston (p. 173) gives this famous story short shrift. He calls it "almost certainly apocryphal" and cites a report from a 3 October 1936 newspaper ("before the myth-makers began") that the phone line to the Alcazar had been cut throughout the siege. This is astonishingly cavalier and one-sided scholarship on Preston's part. As Hugh Thomas detailed in an earlier, more balanced and generally superior book The Spanish Civil War: Revised Edition (Modern Library Paperbacks), the Alcazar phone line was probably only "cut" in the sense that the Republicans controlled it. The story of the telephoned murder threat was told in the New York Times already on 30 September 1936. Preston makes no mention of Thomas' book in this connection.
Preston also elaborately condemns Franco's decision not to bypass Toledo on the way to Madrid (where the Republicans were fast organizing; the Nationalists never took Madrid until the end of the war three years later). As told by Preston, there is only one conceivable explanation: Franco's insatiable ego craved the glory of liberating the Alcazar. A more balanced treatment would acknowledge that the Nationalists, and Franco personally, had solemnly pledged to relieve the besieged garrison; that the relief was a great morale boost for the Nationalists; and that winning personal glory for Franco was arguably an important and worthwhile goal. Franco very soon became undisputed leader of the Nationalist side. Franco was at the time nebulously Monarchist, and his remarkable accomplishment was to unite, and keep united, the Falange (fascist), CEDA (conservative), Carlist and Monarchist factions for the rest of the war. In contrast, the fatal weakness of the Republican war effort was disunity among its Anarchist, Socialist, and Communist factions.
As another example, Franco's foreign policy during World War II is covered with monotonous bias. Is it not deplorable enough that Franco repeatedly signaled that he supported, and wished to eventually join in war, Hitler and Mussolini? But who knows (albeit Preston never for one second doubts) how really earnest those signals were? In the aftermath of the Civil War and the fall of neighboring France, Spain was practically defenseless and was literally starving, desperate for aid wherever it could be found. Franco was meanwhile trying to arm-twist Britain and the US into sending support, especially grain, protesting friendship but warning that the alternative might be a closer accommodation with Germany. In those dire circumstances, was this a wholly reprehensible policy? The one salient fact is, in the end, Franco left Hitler very sadly disappointed.
Readers who seek an objective assessment of Francisco Franco's role in history should not expect it find it in the pages of this detailed but relentlessly biased book.

5 of 8 people found the following review helpful.
Well researched but little to make it interesting.
By Orchard593@aol.com
For someone who wishes to know every detail of the Franco's life this will be an excellent book. Very well written and painstakingly researched this book explores every major event during the dictator's reign including listings of the names of cabinet members, each tactical decision during the civil warm, details of all meetings, and an account of every hunting expedition. The book does answer important questions about how Franco came into and remained in power, and how his decisions unwittingly helped pave the way for democracy. The stories surrounding the years of the civil war, and Franco's dealings with Hitler are fairly engrossing, but most of this book is filled with dry facts and figures with little to make it interesting to the average reader. In fact, most of Franco's life after WWII is uneventful, being tied up in political and economic concerns. This is a good example of the way most historians fail to create a picture of the past to which a person in the present can relate. More personal moments and period detail would have made this book far more enjoyable. In short, if you are using this book for research, it will prove a valuable resource, otherwise I do not recommend it.

5 of 8 people found the following review helpful.
One of the best, non-fiction or fiction, books I've read.
By A Customer
Preston is obviously an incredible historian and writer. I almost exclusively read history and international affairs books, and this is without a doubt the BEST I've ever read. This book is long, but not because the author must defend his ego with a huge tome as many do today. You almost are sad that the book ends because Preston's prose and great skill at telling the story of Francisco Franco is not surpassed. Every professional historian should read this book, if a Spanish historian or not, to see how great historical writing is done.

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Sabtu, 13 Juli 2013

[Z885.Ebook] Download Thinker's Notebook: Posthumous Papers of a Buddhist Monk, by Bhikkhu Nanamoli

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Thinker's Notebook: Posthumous Papers of a Buddhist Monk, by Bhikkhu Nanamoli

Collected posthumous papers of the English monk-scholar Ñaṇamoli, who counts as one of the foremost translators of Pali Buddhist texts into English. Besides being a gifted translator Ñaṇamoli was also a gifted thinker, philosopher, and poet. Besides some longer essays, most of the notes are only one paragraph long and were written in the 1950s as a Buddhist monk. The notes and essays deal with profound topics such as ontology, metaphysics, nuclear physics, logic, but there is also humour, irony, sarcasm and light poetry. Four essays were earlier published in a Wheel Publication called Pathways of Buddhist Thought. The notes were collected, edited and introduced by Nyanaponika Thera.

  • Sales Rank: #1626697 in Books
  • Published on: 2009-04-20
  • Binding: Paperback
  • 256 pages

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Jumat, 28 Juni 2013

[U457.Ebook] Download Ebook Gandhi, Level 2, Penguin Readers (2nd Edition) (Penguin Readers: Level 2), by Pearson Education

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Gandhi, Level 2, Penguin Readers (2nd Edition) (Penguin Readers: Level 2), by Pearson Education

Original / American English Mahatma Gandhi died in 1948, but his name is famous around the world. He fought for change in South Africa and then at home in India. But he lived a simple life and he protested without violence. People watched him and they loved him. Many follow his ideas today.

  • Sales Rank: #868506 in Books
  • Published on: 2008-06-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.60" h x .8" w x 4.90" l, .9 pounds
  • Binding: Paperback
  • 27 pages

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1 of 1 people found the following review helpful.
Inspiring life
By Pat Ford
I am using this book as a text for students of English as a second language. They are fascinated by his determination, resolve, and forbearance. A quality read. Pat de la Tejera

0 of 0 people found the following review helpful.
book
By Bryant
Bought this for my cousin because he needed it for school. turns out they just gave it to him at school. Read it once. don't need anymore. good bopk though

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Five Stars
By Amazon Customer
I loved this book.

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Minggu, 23 Juni 2013

[V616.Ebook] Download PDF Method Meets Art, First Edition: Arts-Based Research Practice, by Patricia Leavy PhD

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This book presents the first comprehensive introduction to arts-based research (ABR) practices, which scholars in multiple disciplines are fruitfully using to reveal information and represent experiences that traditional methods cannot capture. Each of the six major ABR genres--narrative inquiry, poetry, music, performance, dance, and visual art--is covered in chapters that introduce key concepts and tools and present an exemplary research article by a leading ABR practitioner. Patricia Leavy discusses the kinds of research questions these innovative approaches can address and offers practical guidance for applying them in all phases of a research project, from design and data collection to analysis, interpretation, representation, and evaluation. Chapters include checklists to guide methodological decision making, discussion questions, and recommended print and online resources.

  • Sales Rank: #4939304 in Books
  • Published on: 2008-07-29
  • Original language: English
  • Number of items: 1
  • Dimensions: .90" h x 6.10" w x 9.00" l, 1.16 pounds
  • Binding: Hardcover
  • 286 pages

Review
"This excellent, comprehensive work will be wonderful for classes and is also a good resource for researchers who want to explore different artistic approaches and their relationship to qualitative research. I plan to use it for both of these purposes. I highly recommend this book."--Carolyn S. Ellis, PhD, Department of Communication, University of South Florida

"The topic of this book is timely. Arts-based qualitative methods have grown and evolved rapidly over the last decade, and this book gives a very good overview of the most popular approaches. Most arts-based researchers have expertise in only one area and tend to write in that domain. An overview such as this one, with the added examples at the end of each chapter, is a useful contribution to the field."--Lynn Butler-Kisber, EdD, Director, Centre for Educational Leadership, McGill University, Canada

"Leavy effectively lays out the range of practices and potentialities for social scientists who are interested in adding arts-based approaches to their qualitative research practices. The book provides valuable jumping-off points for using innovative methods in the domains of narrative, poetry, music, performance, dance and movement, and visual arts. Instructors of qualitative methods courses across the social sciences would do well to add this resource to their libraries and course readings as a way of introducing senior undergraduate or entry-level graduate students to the invigorating possibilities made available when 'method meets art.' I would recommend the text for survey courses in qualitative methods and specialized courses in alternative or specifically arts-based approaches to research."--Monica Prendergast, PhD, Graduate School of Arts and Social Sciences, Division of Creative Arts and Learning, Lesley University

"This book seamlessly addresses fundamental questions about arts-based methods. It explores what arts-based methods are; their epistemological and theoretical foundations; the types of research questions for which they are suitable; how they are used to collect, analyze, interpret, and represent qualitative data; and how they can be evaluated. Leavy's engaging prose and examples convey the utility and beauty of arts-based methodologies."--Carol A. Bailey, PhD, Department of Sociology, Virginia Tech

"Leavy's wonderful book provides a substantive and outstanding introduction to arts-based approaches in qualitative inquiry. Chapters on each of the major art forms include an elegant overview of the modality; key text, journal, and online references for additional information; and representative contributions by some of the leading writers in qualitative research. Method Meets Art makes a significant and, most important, pragmatic contribution to the emerging literature in arts-based inquiry. This volume is not just for artists: Leavy provides all social researchers and students an excellent resource for exploring the aesthetic paradigm and an evocative genre of qualitative research."--Johnny Saldaña, MFA, School of Theatre and Film, Arizona State University



"An excellent introductory text for arts-based research (ABR). After nearly 90 years of debate about ABR and 35 years of controversy about its cousin, arts-based educational research (ABER), it is time for the arts as research to reside in the research methods classroom and in research proper....Leavy adeptly relates the most basic techniques in ABR—giving them away to students and researchers alike. In addition, she exceeds the introduction of techniques by presenting excellent examples of ABR research by experienced ABR methodologists. These elucidate ABR methods by showing students and beginning researchers what those methods 'look like' when done well....Leavy's book is generally superb....I greatly appreciate Leavy's adept handling of this introduction to ABR, showing that it is legitimate, useful, and authentic among research methodologies. I have taught research methods in behavioral science for over 15 years and will use Leavy's book alongside a traditional research methods text, next time around. It is an excellent resource for students, for beginning researchers, and for academicians in the arts, literature, and social and behavioral sciences."--PsycCRITIQUES (PsycCRITIQUES 2008-08-01)

"Her book is equally relevant to experienced researchers looking to synthesize their artistic and research interests, and students seeking to develop an understanding of innovative research practice. Of particular help for students is Leavy's succinct account of the positivist and qualitative research paradigms, which she uses to contextualize arts-based research, and the 'Checklist of Considerations' and 'Discussion Questions and Activities' that feature in each chapter which ensure that the material, while academically challenging, is accessible to inexperienced researchers. Students and researchers alike will no doubt benefit from the extensive lists of suggested books, websites, and journals that accompany each chapter, and by creating individual chapters for narrative analysis, poetry, music, performance, dance and movement, and visual art, and by including within each chapter an exemplar of relevant published research, Leavy enables her readers to gain a sense of how a particular art form might suit their research needs and skills-set, while simultaneously validating each methodology and providing guidance over how specific research practice might be emulated."--Qualitative Research (Qualitative Research 2008-08-01)

"I found the book interesting and one I believe will be useful for those wanting to embark on using a different approach to research....The 'discussion questions and activities' included in each of the chapters will promote thought and help students clarify their hopes and expectations of their chosen research method. Likewise the 'suggested annotated reading' and 'web sites and journals' at the end of each chapter signpost the student to where they might further explore their research options....For those practising counselling and psychotherapy, whether engaged in therapy and/or research and not familiar with using alternative methods of enabling people to capture experience I believe this book could offer fresh insights to support and further their endeavours."--Counselling and Psychotherapy Research (Counselling and Psychotherapy Research 2008-08-01)

"A breath of fresh air....The contribution of this book to the field of research method is invaluable not only because it is an oppositional effort to resist such a tendency of 'Déjà vu all over again,' but because there have not been any introductory books on arts-based research that we could recommend to graduate students who are interested in arts-based research....Leavy successfully establishes the legitimacy of arts-based research in social science research and succinctly explains how pivotal arts-based research is to the future of academic research. Leavy invites the reader to imagine a world of arts-based research alongside her, keeping the tone of a novel narrator rather than that of an epic narrator, encouraging the reader to an open dialogue rather than being conclusive and closed. In order to serve as an introductory book, Leavy offers readers reader-friendly, step-by-step description of six different genres of arts-based research: narrative inquiry, poetry, music, performance, dance, and visual art."--International Journal of Education and the Arts (International Journal of Education and the Arts 2008-08-01)

"Maybe [the] strange divide between art and science in research and especially qualitative research will begin to erode away as more readers find Patricia Leavy's new 2009 tome, Method Meets Art: Arts-Based Research Practice, and begin to realize that researchers conducting narrative, poetic, musical, performative, dance, and visual forms of inquiry employ rigorous methods of data collection, analysis, interpretation, and representation too. Consumers of Leavy's book should also find a comfortable introduction to these arts-based approaches and hopefully an invitation to try some of these methodological modes in research of their own. In her well-written and engaging work, Leavy carefully introduces the world of arts-based research by walking us through the paradigmatic contexts that have helped to shape this approach to inquiry as well as to establish the conflicting perspectives that hinder many to see these methods as being research at all. She also recounts the struggles with monolithic standards of quality in qualitative research and calls for a dialogue to continue regarding the aesthetics and pragmatics of research. By engaging in such conversation Leavy suggests we all could benefit from challenging our own comfort zones and begin to see that we can all learn from our colleagues regardless of the method being utilized....In reading Leavy's book I can now see that all forms of research can inform, perform, reform, and transform what we think we know about the world around as well as ourselves as researchers and readers."--Weekly Qualitative Report (Weekly Qualitative Report 2008-08-01)

About the Author
Patricia Leavy, PhD, is an independent scholar, formerly Associate Professor and Chairperson of the Sociology and Criminology Department and Founding Director of the Gender Studies Program at Stonehill College. She is the author or coauthor of numerous books on research methods, arts-based research, and transdisciplinary research. She is also a novelist and the editor of three book series. Dr. Leavy was named the New England Sociologist of the Year by the New England Sociological Association. She lectures and presents workshops, and is frequently cited in the media for her expertise in gender and popular culture. Her website is www.patricialeavy.com.

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3 of 3 people found the following review helpful.
Performance
By Maureen C. McHugh
I am interested in the performative turn, and this is an excellent introduction. I have read other worksbyP.Leavyand she is a great writer on emergent methods and qualiatative research. I can really appreciate the intersection ofsocial science and art that she explains in this text.

0 of 0 people found the following review helpful.
Thanks
By Joan Crane
Thank you very much. I cetainly will look forward to doing more business with you in the near future. Joan

14 of 15 people found the following review helpful.
Best book on art-based research, hands down
By A. Morris
Many people seem to like McNiff's book on what he calls art based research Art-Based Research: Shaun McNiff. I have read that book and found it full of errors. The author of that book must have never done any art based research. I cannot find any of his so-called research in any scholarly or peer reviewed journal anywhere. What's up with that?

This book finally explains what art-based research actually is and clearly. If you are looking for one book on this subject, skip McNiff and buy this one. You will not be disappointed.

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Concise History of Western Music 3RD EDITION by Barbara Russano Hanning. W.W. Norton & Co.,2006

  • Sales Rank: #1813419 in Books
  • Published on: 2005-07-27
  • Binding: Hardcover

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  • Published on: 1981
  • Format: Import
  • Binding: Unknown Binding
  • 231 pages

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Arguably biosonar is one of the ‘eye-opening’ discoveries about animal behavior and the auditory systems of echolocators are front and center in this story.  Echolocation by bats has proven to be a virtual gold mine for colleagues studying neurobiology, while providing many rich examples of its impact on other areas of bats’ lives.  In this volume we briefly review the history of the topic (reminding readers of the 1995 Hearing by Bats).  We use a chapter on new findings in the phylogeny of bats to put the information that follows in an evolutionary context. This includes an examination of the possible roles of Prestin and FoxP2 genes and various anatomical features affecting bat vocalizations.  We introduce recent work on the role of noseleafs, ears, and other facial components on the focusing of sound and collection of echoes. ​

  • Sales Rank: #3238819 in Books
  • Published on: 2016-06-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .75" w x 6.14" l, .0 pounds
  • Binding: Hardcover
  • 304 pages

From the Back Cover

            In Bat Bioacoustics we briefly review the history of  biosonar and echolocation (reminding readers of the 1995 Hearing by Bats).   Adaptations for biosonar make one of the most fascinating stories in neuroethology. The auditory systems, biosonar signals, and their central role in the biology of bats are front and center in this story.  Echolocation by bats has proven to be a virtual gold mine for colleagues studying neurobiology, while providing many rich examples of its impact on other areas of bats’ lives. This volume is aimed at graduate students and postdoctoral investigators, as well as professionals and academics.  It is intended to function as a high-profile and up-to-date reference work on bat bioacoustics.

·         A History of the Study of Echolocation by Alan D. Grinnell, Edwin Gould, and M. Brock Fenton

·         Phylogeny, Genes, and Hearing – Implications for the Evolution of Echolocation in Bats by Emma C. Teeling, Gareth Jones, and Stephen J. Rossiter

·         Ultrasound Production, Emission, and Reception by Walter Metzner and Rolf Mueller

·         To Scream or to Listen? Prey Detection and Discrimination in Animal-Eating Bats by Patricia L. Jones, Rachel A. Page, and John M. Ratcliffe

·         Roles of Acoustic Social Communication in the Lives of Bats by Erin Gillam and M. Brock Fenton

·         Guild Structure and Niche Differentiation in Echolocating Bats by Annette Denzinger, Elisabeth K. V. Kalko†, Marco Tschapka, Alan D. Grinnell, and Hans-Ulrich Schnitzler

·         Neural Coding of Signal Duration and Complex Acoustic Objects by Paul A. Faure and Uwe Firzlaff

·         The Neural Processing of Frequency Modulations in the Auditory System of Bats by George D. Pollak

·         Behavioral and Physiological Bases for Doppler Shift Compensation by Echolocating Bats by Shizuko Hiryu, Emanuel C. Mora, and Hiroshi Riquimaroux

·         Perceiving the World Through Echolocation and Vision by Annemarie Surlykke, James A. Simmons, and Cynthia F. Moss

·         Perspectives and Challenges for Future Research in Bat Hearing by Lutz Wiegrebe, Alan D. Grinnell, and M. Brock Fenton

 

About the Editors:
M. Brock Fenton is Professor Emeritus in the Department of Biology at Western University.

Alan D. Grinnell is Distinguished Professor of Integrative Biology and Physiology at the University of California, Los Angeles

Arthur N. Popper is Professor Emeritus and Research Professor in the Department of Biology at the University of Maryland, College Park.

Richard R. Fay is Distinguished Research Professor of Psychology at Loyola University Chicago.

About the Series:

The Springer Handbook of Auditory Research presents a series of synthetic reviews of fundamental topics dealing with auditory systems. Each volume is independent and authoritative; taken as a set, this series is the definitive resource in the field

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